The supports used are untreated fabric, the backs of pieces of painted canvas, and prints. He paints his unobtrusive images using thin layers of paint, often in pastel shades. The untreated fabric sucks up the paint, giving the paintings an open and transparent look. Sharp lines blur; figures become distorted. Printed patterns from packaging materials like bubble wrap are sometimes visible and – resembling the grid of dots in commercial print imagery – reference the ‘polka dots’ of Polke, Lichtenstein and Kusama. 

In a series devoted to Maria Callas, the figure seems to hover somewhere between abstraction and representation.

“The picture I used as a starting point came from the jacket of a vinyl record that I found at an antique market. For me, it’s an image full of antitheses and it became an obsession. A western woman playing the part of an oriental woman in an opera – a highly flamboyant art form, but here extremely modest and subdued. I was struck by her introverted expression and pose.”